Seeing Architecture With A Filmmaker'S Eyes (2003)
article⁄Seeing Architecture With A Filmmaker'S Eyes (2003)
abstract⁄Where do the methods of architectural communication cross over to other disciplines As digital tools provide greater opportunities to communicate prebuilt design in both space and time, in motion and in video, how should our methods of presentation and therefore our method of seeing evolve to meet this need While filmmaking is a much younger art form than architecture, it is already much wiser with regard to motionbased presentation. If we are to evolve beyond the unsophisticated motion of the average flythrough animation, we need to develop a process of seeing and composing in time that better relates to the way we perceive temporal space. A welledited film detaches us from the confines of the medium we do not think about how many cameras are used in a scene if it is filmed and edited in a manner that is natural to the way we see and perceive. Where can the filmmaker’s art inform an architecture student’s processes of presentation and design This paper will discuss ways that filmmaking can be used to inform the process of architectural design and animation with specific examples from the work of our advanced digital media course.
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| Year |
2003 |
| Authors |
Temkin, Aron. |
| Issue |
Connecting » Crossroads of Digital Discourse |
| Pages |
227-233 |
| Library link |
Kevin R. Klinger, 2003. bib⁄Connecting >> Crossroads of Digital Discourse. ACADIA. |
| Entry filename |
seeing-architecture-with-filmmaker-s-eyes |
